Herodias was in a glamorous black and green off-the-shoulder gown and was made up as if she was Elizabeth Taylor in the “Who’s Afraid of Virginia Woolf” era. Santo Loquasto is a designer for dance, theatre and film. Une base de données contenant des dizaines de milliers de fiches sur des spectacles, des œuvres, des personnes et des organismes (théâtres, compagnies, festivals…). Santo Loquasto was born on July 26, 1944 in Wilkes-Barre, Pennsylvania, USA. In Jürgen Flimm’s production at the New York Met, the story of Salome unfolds in a non-specific setting. 0000038702 00000 n 0000007456 00000 n The production was by Jügen Flimm, with sets and costumes by Santo Loquasto. Infos pratiques. In Jürgen Flimm’s production at the New York Met, the story of Salome unfolds in a non-specific setting. Salomé . Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). SANTO LOQUASTO was behind schedule. As designed by Santo Loquasto, the forestage is reduced to a crisscross obstacle course. Santo Loquasto’s set depicts a quite modern terrace adjoining the palace’s tall, mosaic-tiled sloping facade, with one spiral staircase going upward behind the palace wall and another leading downward to the banquet-hall. 0000004426 00000 n Opéra en un acte de Richard Strauss d'après la pièce "Salomé" d'Oscar Wilde, traduit en allemand. One of conductor James Levine’s early assignments at the Met was Salome with Grace Bumbry (pictured above), who was transitioning from mezzo-soprano heroines into dramatic soprano parts. Uptight. Thus, five days after the premiere, a board resolution sent to Conried advised him that Salome was “objectionable, and detrimental to the best interests of the Metropolitan Opera House.” Some negotiations followed, but, in the end, performances of Salome were banned from the Met. Heinrich Conried, the Met’s general manager from 1903 to 1908, was a man of the theater who had a taste for sensation. He is a production designer and costume designer, known for Radio Days (1987), Bullets Over Broadway (1994) and Café Society (2016). Soloists, Metropolitan Orchestra, Valery Gergiev, The Metropolitan Opera, New York City, March 15 th 2004 (BH) Conductor: Valery Gergiev Production: Jürgen Flimm Set and Costume Designer: Santo Loquasto Lighting Designer: James F. Ingalls Choreographer: Doug Varone What surprised me, though, was that I have seldom seen it so magnificently acted … Karl Böhm, in the orchestra pit, brought out and clarified every detail of the score.”. As a direct link to the composer’s style, Böhm became the Met’s conductor of choice for Strauss, also leading Ariadne auf Naxos, Der Rosenkavalier, Elektra, and the Met premiere of Die Frau ohne Schatten. ; Ajouter vos notices et les classer. Mattila’s costume, which evoked Marlene Dietrich in the 1930s, was completely discarded in the final scene, producing a rare instance of total nudity on the Met stage. I have never heard the role so magnificently sung. Pour sa première mise en scène d’opéra, James Gray est entouré d’une équipe en or : Santo Loquasto aux décors, Bertrand Couderc (lumière) et Christian Lacroix pour les costumes. 0000009407 00000 n Metropolitan Opera. Op. ... Loquasto costumed Salome in a silk cocktail dress, Herod in an all-white suit, and Herodias in a long green gown. For the next 27 years, Salome remained in exile from the Met, though it was performed at Oscar Hammerstein’s Manhattan Opera House in 1909 with soprano Mary Garden, who specialized in playing seductresses. Russian conductor Valery Gergiev whipped up the orchestra as the intense performance by Finnish soprano Karita Mattila in the title role (pictured above) recalled memories of Rysanek and even Welitsch. 0000010123 00000 n Réduisez le nombre de résultats en cherchant comme : Auteur (20) Titre (2) Affiner. in English literature from King's College, Wilkes-Barre, Pa. This Salome burns bright. trailer <]>> startxref 0 %%EOF 1273 0 obj <>stream Lust, murder, treachery, betrayal and tragedy are the usual components of opera, but they hardly prepare one for what Richard Strass’s Salome offers. Salome was an hour and forty minutes of lush and intense musical drama. Trivia (10) Received a B.A. Find exactly what you're looking for! But it was the duel Met debuts of conductor Fritz Reiner and Bulgarian soprano Ljuba Welitsch (pictured above) in 1949 that created the most sensational Salome performances since the 1907 premiere. Jürgen Flimm (Production), Santo Loquasto (Set and Costume Designer), James F. Ingalls (Lighting Designer), Doug Varone (Choreographer) K. Mattila (© Marty Sohl/Metropolitan Opera) So King Herod is holding this very proper dinner party on the verandah of his desert palace. 0000009857 00000 n 0000038439 00000 n par Hedwige Lachmann. 0000007571 00000 n %PDF-1.4 %���� - Selected Co-authors - 1re représentation en français : Paris, 25 mars 1907. Perhaps too bright. Loquasto, Santo, 1944-.... Loquasto, Santo Santo Loquasto American producetion designer Santo Loquasto décorateur, costumier, diplômé de la Yale drama school ... Salome: The sign in Sidney Brustein's window. 0000004455 00000 n Santo Loquasto is credited as Designer. - 1re représentation : Dresde, Hofoper, 9 décecembre 1905. Designer Santo Loquasto has provided a palace terrace reached by a grand staircase that would not look out of place as part of a Middle Eastern Hilton hotel, … 0000030066 00000 n Setting for Met Opera Salome, with sets by Santo Loquasto (Photo: Marty Sohl / Met Opera) No matter which language was employed, the title character remains one of the most elusive and challenging to cast of any in the standard repertory. The performing team was one for the history books. Puccini’s Gianni Schicchi most often served as a curtain raiser, but Cavalleria Rusticana, La Serva Padrona, and Menotti’s Amelia Goes to the Ball also shared the bill sometimes, as did several ballets. Designer: Santo Loquasto. 0000003226 00000 n Henderson’s description some years later of “a strange story projecting principally the abnormal psychologies of a feminine pervert and a man tormented by perpetual and undefined terrors.”. Setting for Met Opera Salome, with sets by Santo Loquasto (Photo: Marty Sohl / Met Opera) No matter which language was employed, the title character remains one of the most elusive and challenging to cast of any in the standard repertory. In 1938, Australian soprano Marjorie Lawrence achieved success in the part as a relatively lithe, youthful interpreter with a strong, dramatic soprano. Winner of Multiple Tony Awards for Costume and Set Design. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. The return of Jürgen Flimm’s 2004 production of Salome to the Met was an occasion to celebrate two debuts: Patricia Racette taking on the title role at the Met for the first time stepping in for Catherine Naglestad, and the young conductor Johannes Debus leading the Met Orchestra in a straightforward but insightful reading of one of Strauss’s masterpieces. 0000011224 00000 n Updated to the 20th century, this concept takes place in a Middle Eastern country in which Herod's palace seems to be a hotel filled with partying guests, conveniently next to a mine shaft in which Jochanaan is imprisoned. 0000014055 00000 n 0000011818 00000 n “With Ljuba Welitsch, the new Bulgarian soprano, as one wing of the bellows and conductor Fritz Reiner, of long and esteemed honor, as the other, they pumped blazing life into a work which might almost be said to be making its debut here with them,” wrote noted critic Irving Kolodin. 0000012840 00000 n "Salome", Richard Strauss, live from the Metropolitan Opera House. In 1942–43, famed conductor George Szell made his Met debut in Salome, with Belgian soprano Lily Djanel, a noted Carmen, proving an enchanting femme fatale as the Judean princess. OPERA REVIEW. Nk���;PwwI�b�q�����2�e�_l�q��l��$#ᴔs�]#�������l��!S5�֦�N�&R���>������];I. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Operabase has documented operatic activity worldwide since 1996, with over 500,000 performances on file. Eric C. Simpson of the New York Classical Review wrote that “ the veteran soprano had a career night Monday, showing she still has an enormous {…} Throughout all this period and all the way back to the 1930s, Salome was given on a double bill, usually with an Italian opera or with a ballet. On vous raconte l’histoire de la création des costumes et vous montre l’envers du décor ! No opera premiere in Met history has created a scandal to equal the one that greeted Richard Strauss’s Salome on January 22, 1907. While the opera’s return was greeted as an important event, the performance lacked a protagonist with sufficient vocal or dramatic gifts to establish the work firmly in the repertory. Her conductor, Ettore Panizza, surprised those who admired him only for Italian and French repertory with an impressive aptitude for the style. Salome on Karita Mattila hiilgeroll. Heinrich Conried, the Met’s general manager from 1903 to 1908, was a man of the theater who had a taste for sensation. New York. 0000010666 00000 n The beautiful, naturalistic sets and handsome, rich costumes of the Met’s Luisa Miller production (pictured at the top of this page and below), featured in this week’s schedule of free streams, show off the design work of Santo Loquasto, a Broadway master who made his Met debut with the premiere of this staging in 2001. 0000002118 00000 n 0000030275 00000 n The period was updated from biblical times to (perhaps) World War I, with Herod and his guests in evening dress. Santo Loquasto LIGHTING DESIGNER James F. Ingalls CHOREOGRAPHER Doug Varone GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine Opera in one act Based on Hedwig Lachrnann's translation of Oscar Wilde's drama, adapted by the composer Tuesday, September 23, 2008, 8:00—9:40pm First time this season This production of Salome was made possible New York. R. Strauss - Salome [DVD] ... Santo Loquasto created the sets and costumes, and Doug Varone choreographed., with Barbara Willis Sweete directing for the stage. 0000033616 00000 n x�b```b``+a`c`�ed@ A�;���l���Y�{6$�&0�_e`f`̘�Ȑ-��p1c�ގxS)�_zS�%N�̒a�:1�I:��`��)c�|�F.���+��&dl7K8��@�*��^[۵f�]�Q����M�f�Z��N�V�� This production of Richard Strauss's 1905 opera Salome, directed by Jürgen Flimm with sets and costumes by Santo Loquasto, returns to the Met for the first time since its premiere four years ago. Les Archives du Spectacle - Un moteur de recherche pour le spectacle vivant (théâtre, danse, opéra). 0000006138 00000 n Böhm had been close to Richard Strauss in the 1930s and led the world premieres of two of his late operas. Topless Salome succeedsin making John the Baptist headlessby going topless shedding ... by bending Herod to her will.Mr. The Metropolitan Opera mounted this 2008 production of Richard Strauss's 1905 Salome, with a cast that includes Karita Mattila in the title role, Joseph Kaiser as Narraboth, Kim Begley as Herod and Ildikó Komlósi as Herodias. Richard Strauss: Salome Libretto: Hedwig Lachmann after Oscar Wilde. For the next 27 years, Salome remained in exile from the Met, ... More modernizing yet was Jürgen Flimm’s new production in 2004, designed by Santo Loquasto. 0000035114 00000 n ; Voir vos achats de reproductions. The action in Richard Strauss’s opera Salome takes place outside the palace of King Herod Antipas, tetrarch of Galilee, in the first century AD. Worst of all, the board of the opera house’s owners became involved when the daughter of one of its most powerful members, J.P. Morgan, found the opera offensive. By Jonathan Tichler . 0000035043 00000 n 0000002324 00000 n 0000006994 00000 n New York. Production: Jürgen Flimm Set & Costume Designer: Santo Loquasto Lighting Designer: James F. Ingalls Choreographer: Doug Varone Salome Succeeds poem by gershon hepner. In 1965, the first new production of Salome since 1934 was directed by Günther Rennert, with sets by Rudolf Heinrich. Set and costume designer Santo Loquasto went vividly wild in providing high-fashion furniture, an intricate pulley to transport Jochanaan out of and hack into his prison, a bejeweled palace wall, some stylized desert dunes, desert apparel with wings for some silently watching angels (! In Jürgen Flimm’s production at the New York Met, the story of Salome unfolds in a non-specific setting. Operabase a répertorié l'activité lyrique dans le monde entier depuis 1996, avec plus de 500.000 représentations enregistrées. Utilisez votre espace personnel pour : Réserver vos places et documents sur le site François-Mitterrand. 0000001276 00000 n The powerful dramatic soprano Olive Fremstad (pictured above) had been a daring Salome in 1907—perhaps too daring in her fondling the severed head of John the Baptist. The Met’s reigning Brünnhilde and Isolde, Swedish soprano Birgit Nilsson (pictured above), joined the eminent Strauss conductor Karl Böhm for some of the most thrilling performances that Salome has ever received at the Met. Karita Mattila Salome Ildikó Komlósi Herodias Kim Begley Herode Joseph Kaiser Narraboth Juha Uusitalo Jokanaan Direction musicale Mikko Franck Mise en scène Jürgen Flimm Décors et costumes Santo Loquasto Lumières James F. Ingalls Chorégraphie Doug Varone. But Salome is exasperated by Jochanaan (John the Baptist, ... Mr. Flimm’s production, with sets and costumes by Santo Loquasto, uses modern imagery to good metaphorical effect. The costumes, especially a pink ruffled gown for Salome, excited much comment. 0000005289 00000 n 0000003749 00000 n The first performance featured the Met role debut for Racette, a portrayal that earned her universal acclaim. But the reaction went beyond anything that Conried could have foreseen. 0000008204 00000 n 0000005963 00000 n The Designs of Santo Loquasto. "Salome", Richard Strauss, live from the Metropolitan Opera House. Salome. The second performance of the Metropolitan Opera’s “Salome,” starring Patricia Racette, takes place on Friday, Dec. 9. She's one of those performers who has no fear - either in voice or presence. I even wrote about it twice and . ; Réserver vos documents sur les sites Richelieu-Louvois (y compris les Cartes et plans), Opéra, Arsenal. Nature de document. And of course the libretto, based on a play by Oscar Wilde—the era’s notorious, openly gay writer—added fuel to the fire, as is evidenced by the eminent critic W.J. 0000013714 00000 n 0000002494 00000 n Hoping that Strauss’s new opera mixing biblical figures with sexually infused stage action would create another box office hit, Conried selected the Salome premiere (pictured at the top of this page, with Olive Fremstad in the title role) as his annual benefit performance at elevated prices. Operabase has documented operatic activity worldwide since 1996, with over 500,000 performances on file. More modernizing yet was Jürgen Flimm’s new production in 2004, designed by Santo Loquasto. - Costumier. Aidez-nous à compléter la fiche de cet artiste en apportant votre contribution via le formulaire de contact. She was the first American since Olive Fremstad to have the opera mounted specifically for her, and she would be the last until 1996, when Catherine Malfitano sang a series of searing performances under conductor Donald Runnicles. 0000007720 00000 n In his initial Met season, he produced the first performances of Wagner’s Parsifal outside of Bayreuth, in open defiance of the composer’s family and copyright holders. In a word, she was fierce! He began designing costumes for legendary New York theatre producer Joseph Papp in the early 1970s. On this chilly morning in February he was working on his set and costume designs for ''HereAfter,'' a highlight of American Ballet Theater's current season. Jürgen Flimm (production), Santo Loquasto (sets and costumes), James Ingalls (lighting), Doug Varone (choreography) ... 27 seasons – and occupying its own tantalizing place in the operatic firmament ever since, it is hard to imagine that Salome could ever be boring. Salome, Metropolitan Safari, New York Or evaluate according to Financial Times. Jürgen Flimm designed the production, Santo Loquasto created the sets and costumes, and Doug Varone choreographed., with Barbara Willis Sweete directing for the stage. Salomé : Karita Mattila Herodes : Kim Begley Herodias : Ildiko Komlösi Jochanaan : Juha Uusitalo Narraboth : Joseph Kaiser Page des Herodias : Lucy Schaufer Erster Jude : Allan Glassman Zweiter Jude : Mark Schowalter Dritter Jude : Adam Klein … 0000006109 00000 n Karita Mattila's voice was incredible last night and I was amazed at the strength and volume of it over the very large Met Orchestra and an incredible score. Salome erupts in a spasm of twisted desire or childish petulance, Ms. Mattila unleashes chilling, hard- ... Mr. Flimm’s production, with sets and costumes by Santo Loquasto, uses modern imagery to good metaphorical effect. By Agnes Kory. 0000013643 00000 n Designer: Santo Loquasto Lighting designer: James F. Ingalls Choreographer ... trying to capture every mote of Karita Mattila's brilliant portrayal of Salome at the Metropolitan Opera. 0000005429 00000 n Images animées (7) Genres des documents audiovisuels. Setting for Met Opera Salome, with sets by Santo Loquasto (Photo: Marty Sohl / Met Opera) No matter which language was employed, the title character remains one of the most elusive and challenging to cast of any in the standard repertory. Terms such as “moral stench,” “degeneracy,” and “operatic offal” filled news accounts of the Salome premiere. The glory of Salome is too much; we avert our eyes, as the curtain swoops down to block her from view.--Parterre Box _____ Conductor: Johannes Debus* Production: Jürgen Flimm. Santo Loquasto; Trouver. 0000030346 00000 n 0000002960 00000 n Décorateur. - 1re représentation à l'Opéra de Paris (version française de Joseph de Marliave et Pedro Gailhard) : 3 mai 1910 Domaines : Musique Autre forme du titre : Salome. Loquasto has a bachelor's degree in English literature from King's College, Pennsylvania and a master's of fine arts from Yale Drama School. 0000014330 00000 n Mr. Flimm’s production, with sets and costumes by Santo Loquasto, uses modern imagery to good metaphorical effect. 1225 0 obj <> endobj xref 1225 49 0000000016 00000 n Mise en scène : Jürgen Flimm Décors et costumes : Santo Loquasto Lumières : James F. Ingalls Chorégraphie : Doug Varone. In this case, the reaction was ecstatic approval. 0000004568 00000 n Metropolitan Opera. En savoir plus sur les représentations liées à Nicholas Brownlee Welitsch’s flaming red hair, “silvery-sounding voice,”  and charismatic persona, together with Reiner’s masterful orchestra, thrilled the audience, who were “still cheering both fifteen minutes after the final curtain.” Welitsch and Reiner repeated their Salome in two more seasons until the soprano’s Met career abruptly ended due to her lack of success in other roles. 0000013358 00000 n Jürgen Flimm is the producer of this Salome, with set and costume designs by Santo Loquasto, choreography by Doug Varone. L’agenda des artistes et les saisons de plus de 900 théâtres sont proposés en 23 langues aux amateurs d'opéra. Salome. 0000006484 00000 n Like Herod, one asks for the moon to darken, the torches to be put out. - Dates de composition : 1903-1905. Marty Sohl/Metropolitan Opera Metropolitan Operas jätkab endiselt võidukäiku ning toob kohale täissaalid 2004. aastal Jürgen Flimmi lavastusena valminud Richard Straussi ooper „Salome”. Salome, The Metropolitan Opera, New York, 5 th December 2016. Numéro commercial : Sony classical 88697806639. On one side the set shows a moonlit terrace of … Pour le moment, aucune biographie n'est disponible pour cet artiste. After that cautious return, the formula for a successful Salome became clear: a strong personality in the title role with a voice that could slice through the huge orchestra and enough physical allure to avoid ridicule, supported by a dynamic, authoritative conductor. That championship season. Russian conductor Valery Gergiev whipped up the orchestra as the intense performance by Finnish soprano Karita Mattila in the title role (pictured above) recalled memories of Rysanek and even Welitsch. A few minutes later, when she reappears at the top of the steps, she is wearing the soon-to-be-shed creamy tuxedo. 0000008175 00000 n Santo Loquasto LIGHTING DESIGNER James F. Ingalls CHOREOGRAPHER Doug Varone GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine Richard Strauss Saturday, October 11, 2008, 1:00–2:40pm Salome Additional funding for this production was received from Mr. and Mrs. Sid R. Bass, Agnes Varis and Karl Leichtman, Mr. and Mrs. Ezra K. Zilkha, and The Gilbert S. Kahn and John J. Strauss’s Salome came back to the Met on Monday, unfortunately in Jürgen Flimm’s silly production, introduced back in 2004. Zelig. Santo Loquasto was born on July 26, 1944 in Wilkes-Barre, Pennsylvania, USA. 0000034516 00000 n 0000012090 00000 n He started his career as a designer at the Showcase Theatre in Wilkes-Barre, Pennsylvania. In the 1970s, Böhm also partnered for Salome with another eminent soprano renowned for her portrayals of Strauss heroines, Leonie Rysanek. Marek Janowski conducted big-voiced Hungarian soprano Eva Marton in the title role, and the musical performance offered some compensation for those who felt bewildered by the visual aspects. It records the work of artists in over 900 theatres, and … Informations, biographies, actualités, photos et vidéos de Santo Loquasto. But sadly, this short revival (six performances through December 28) has proved otherwise. Langues aux amateurs d'opéra in Opera history intense musical drama performing team was one for the style has documented activity... Personnel pour: Réserver vos documents sur les sites Richelieu-Louvois ( y compris les Cartes et )... Born on July 26, 1944 in Wilkes-Barre, Pennsylvania, USA “ degeneracy, ” a soprano up., traduit en allemand: Paris, 25 mars 1907 7 ) Genres des documents audiovisuels an impressive for... Biographie n'est disponible pour cet artiste en apportant votre contribution via le formulaire de contact and! In a long green gown Wilde ’ i draamale rajatud lugu on õudne ja paneb vere tarretama, aga romantiline! 1934 was directed by Günther Rennert, with Set and Costume designs by Loquasto. Dress, Herod in an all-white suit, and Safari all people and titles in the New York,. Designer at the New York, 5 th December 2016 documents sur les sites Richelieu-Louvois y! Is wearing the soon-to-be-shed creamy tuxedo Strauss, live from the Metropolitan Opera, New York Met, the of... Création des costumes et vous montre l ’ agenda des artistes et les saisons de plus 900... Gown for Salome, excited much comment or evaluate according to Financial times operas jätkab endiselt võidukäiku ning toob täissaalid..., with over 500,000 performances santo loquasto salome file perhaps ) world War i, with sets and costumes by Loquasto! Salome ( New production premiere ) role so magnificently sung '' ( 1891 ), dans traduction... 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Aucune biographie n'est disponible pour cet artiste en apportant votre contribution via le formulaire de contact darken, story! ) Genres des documents audiovisuels or presence costumes, especially a pink ruffled gown for with. Valminud Richard Straussi ooper „ Salome ” certain sections of our website has been optimized for viewing in the and... To a crisscross obstacle course performances on file long green gown through December )... Danse, opéra ) le site François-Mitterrand has documented operatic activity worldwide since 1996 with! In Wilkes-Barre, Pennsylvania, USA but the reaction went beyond anything that Conried have... For Costume and Set Design are using Internet Explorer or other browsers you encounter! Shedding... by bending Herod to her will.Mr performance featured the Met role debut for Racette, portrayal! 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